Babylon Pink

**Auteur eroticism** Winner of three AFAA (Adult Film Association of America) awards, including Best Film and Best Director, “Babylon Pink” is an adult paradigm of Freudian exploration, a cult classic that showcases Henri Pachard’s legendary narrative elegance in addressing the repressions and longings of the human psyche. “Babylon Pink” is an auteur film that uses explicit eroticism to imbue the mysteries of capitalist society with loneliness, power, and a quest for autonomy. It is the director’s first explicit film, revealing the sordid and hidden illusions of five very different women who weave a tapestry of repressed desires and fantastical liberations. Each woman is connected, directly or indirectly, to an archetypal figure (an aggressive executive woman at Frontier Empire, a large corporation) who embodies the roles of power. It all begins with Vanessa del Rio, a housewife trapped in the coldness of her marriage to the corporate executive (Bobby Astyr) of "Frontier Empire," who takes refuge in a world of sensual imagination to escape her emotional emptiness. The businesswoman (Samantha Fox) projects an image of coldness and absolute control, but secretly longs to be dominated by one of her subordinates (Astyr himself), inverting the workplace hierarchies in the privacy of her office. The story then shifts to the company's secretary (Merle Michaels), whose extroverted roommate (Arcadia Lake) and her boyfriend drug and abuse her while she sleeps under the aphrodisiac effects of popper. The circle closes with "teen" Georgette Sanders, captivated by her aunt Georgina Spelvin's new husband (Robert Kerman), with whom she explores the boundaries of the forbidden. The stories ultimately converge at a sophisticated group dinner that acts as a catalyst where covert flirtations and encounters blur the boundaries between dream and wakefulness.