We, Brothers

**What an incredible cast!** The cast of _We, Brothers_ delivers strong and emotionally layered performances. Pedro Wagner and Paulo Pagliossa shine as the central brothers, balancing loyalty and tension with subtle nuance. Mickael Kornblum brings depth to a key supporting role, while Gabby Ballhausen adds intensity and emotional weight to the story. Pietra Cezimbra, Victor Grimoni, Felipe Bandeira and Orlando Rodrigues offer memorable presences that complement the ensemble. Together, the actors create believable chemistry that drives the film’s noir-inspired atmosphere, making this Brazilian short a standout for its authenticity and strong performances.

I was invited by the director Renata Jones to the premiere of We, Brothers, and I must admit I didn’t know what to expect. But I was very surprised. The film draws you in from the very first scene with its noir tone and vintage atmosphere. The cast delivers great performances, especially the two at the center of the story, who create a believable bond full of tension and unspoken emotion. Visually, it’s impressive and it feels like stepping into a 1940s gangster film, yet there’s a distinctly modern, Brazilian soul behind it all. It’s short but very stylish and it left me wanting more. A bold piece of cinema. Hats off to the director and the crew for pulling this off with such finesse. 10/10

One of the most striking aspects of We, Brothers for me is its setting, a beautifully preserved 30s house that becomes a character in itself. Every corner, every shadow feels alive with history. The production design leans heavily into this space, creating an atmosphere that instantly transports you to a noir inspired world! The cinematography is rich and moody, playing masterfully with light and shadow. The use of deep contrast and close, intimate framing enhances the tension between the characters, while the warm vintage tones evoke a sense of both nostalgia and danger. Together, the location, art direction, and visual style elevate the film far beyond what you’d expect from a short film. It feels like a time capsule! A lost reel from classic cinema rediscovered.