If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1
| Release Date | November 16, 1997 | |
|---|---|---|
| Status | Released | |
| Original Title | Le Film à venir | |
| Runtime | 9min | |
| Budget | — | |
| Revenue | — | |
| Language | French | |
| Original Language | French | |
| Production Countries | France, Switzerland | |
| Production Companies | ||