No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1991
1996
1963
1973
1961
1969
1925
1976
1972
1965
1979
1958
1974
2000
1980
1989
1990
1959