No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1955
1958
1962
1980
1986
1968
1953
1972
2001
1961
1988
1943
1960
1927
1965
1997
1999