No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
1916
1980
1982
1988
1983
1927
1974
1950
1972
1966
1976
1987
1913
1965
1978
1944
1968
1999
1953
1943